![]() ![]() ![]() A weak and wobbly light that didn't hold a candle to the power of Amos' lyrics, which often address religion, sexual assault and personal tragedies. On "Scarlet's Walk," her use of an electric lantern as a prop, swinging from Isabel's left hand while she played the keyboard with the right, seemed gimmicky. With her bassist, guitarist and drummer spread to the corners of the stage, the eye focuses on Isabel ? but gets little in return. Moments of showmanship, like Isabel playing the piano with her left hand and the keyboard with her right on "Sweet Dreams," come off as cocky rather than inspired. Mann Performing Arts Halls, where spectators in the front are close enough to see the details of her sky-high pumps, geometric print wrap dress, and straw-like blonde wig, not addressing the people who paid to see you for the first third of your show seems, well, obnoxious. It may be part of Isabel's "personality," but in an intimate venue like Barbara B. The sedate Isabel, however, is a tough musical pill to swallow.įrosty and uncommunicative with the audience, Isabel set the tone for the first set with "Yo George." the singer-songwriter's anti-Bush anthem off"American Doll Posse," her latest disc.īut the lack of interaction with the crowd was uninspiring. The concept of four personalities ? Pip, Clyde, Isabel, and Santa ? one of whom opens for Tori at each show, is interesting in theory. It was Isabel, one of the signer's four alter-egos from the American Doll Posse album and tour. It was the Tori Amos concert, but it wasn't Tori. Myers Saturday night, lit cigarette in hand, a fringe of white-blond bangs heavy over her eyes.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |